Rane
Sixty-Eight 32 Bit Scratch Live USB 2.0 Multi Channel MixerTwo
computers, two USB ports, four decks and a range of effects.
PGM Inputs 1-4
The Sixty-Eight has four stereo analog inputs
for PGM 1
through PGM 4. Any of these analog inputs may be set for Phono Input,
Line Input
or S/PDIF using the P - L - S switches on the rear panel. Any of the
four analog
inputs may be used for Scratch Live vinyl emulation control. Input 1 or
Input 2
may be selected for Scratch Live Virtual Deck 1 control. Input 3 or 4
may be
selected for Scratch Live Virtual Deck 2 control. Control input sources
are
selected in Scratch Live.
Mic Inputs
The Mic Inputs accept an XLR or a balanced or
unbalanced
1/4" plug. Mic 1 has a switchable phantom power option, and Mic 2 has a
switchable line level option.
Analog Outputs
All analog outputs come from the same “Main
Mix”
signal. Main, Booth and Session outputs each have their own Level
control. The
Main output is on balanced XLR jacks. The Booth output is on balanced
1/4? TRS
(tip-ring-sleeve) jacks, though unbalanced TS (tip-sleeve) plugs may be
used.
The Session output is on regular unbalanced RCA jacks. Because all
signals are
identical, users may use any of these outputs as the “main” output if a
different cable type is required for connection.
Introducing the first professional DJ mixer with two USB 2.0 High
Speed
ports with support for real-time connection of two computers. Two DJs
can work
in parallel and/or seamlessly transition from one DJ to another.
- Two independent USB 2.0 High Speed ports, each supporting
twenty-two,
32-bit floating-point audio channels at 48 kHz.
- Real-time support for two computers.
- Support for 2, 3 or 4 Virtual Decks on one or two computers.
- Direct control of over 30 Scratch Live Library, Cue and Loop
functions.
Unique FlexFx bus:
- Process a sub-mix of up to six audio channels.
- Six internal effects with seamless on-beat switching between
effects.
- External analog insert support for legacy hardware effects.
- USB insert support for computer-based effects.
Four full-featured input channels:
- Four stereo Phono/CD inputs of Line, Phono or S/PDIF.
- Four stereo auxiliary inputs.
- Four stereo USB playback options.
- Two mic inputs: one with phantom power and one with line-level.
- 3-band full-cut EQ, plus new High-pass / Low-pass Filter.
- Flexible USB recording options, record from any PGM or
output.
- Internal universal switching power supply (100-230 VAC)
- Unit size: 14.3"H x 12"W x 4"D (36.4 cm x 30.5 cm x 10.2 cm)
- Weight: 11.3 lb (5.2 kg)
- Shipping Size: 7.75"H x 12.75"W x 19.25"D (19.7 cm x 32.5 cm x
49 cm)
- Weight: 12 lb (5.5 kg)
Scratch Live 2.0 Features for the Sixty-EightS
Support for two DJs at once.
DJ handover is easy with two USB ports. Easily switch between two
laptops without interrupting the music. e.g., DJ A can be playing out
channels 1 and 2, and then hand off those channels one at a time to DJ
B.
Two DJs can perform in parallel on the same mixer:
Two DJs
connect, configure which channels they output in software, and then DJ
side by-side off the same mixer. eg., DJ A can play out channels 1 and
2, and DJ B can play out channels 3 and 4 at the same time.
Control of Scratch Live from the hardware control strips.
A plug-and-play preset is included which performs standard
functions (Library Navigation, Cues, Loops).
Customizable presets for advanced users who will be able to
switch groups, so the control strips become open-assignable like a MIDI
controller, allowing custom functions and mapping.
- Record your separate PGM inputs, FlexFX USB Send, Aux Inputs or
Main Mix: all possible record sources.
- SP-6 Sample player
output assign to mixer channels.
Additional output options are added to the SP-6 Sample Player,
allowing a user to choose channels 1-4 or the FlexFX Return as the
output. This allows three decks coming out of channels 1-3 and having
the SP-6 coming out of channel 4.
- Control and insertion of Software FX using the FlexFX USB
Insert.
- Record your mix to disk with pre-fader audio and fader
automation recorded.
This option allows a user to record not only audio, but fader
automation. This can then be imported into a DAW for editing.